31 January 2017
Robert Irvine’s recent release on Delphian Records, Songs and Lullabies, which features one of my pieces, has been nominated for a Scottish Award for New Music. This is the inaugural year of the awards, an endeavour of New Music Scotland. Songs and Lullabies has been nominated in the Recorded New Work category, and Robert also receives a nomination for New Music Performer of the Year.
Songs and Lullabies is now available to buy on CD and download.
UPDATE: Robert won! Well done, Robert!
14 August 2016
For the next 29 days, you can catch a preview of a short piece of mine, Lament, from Robert Irvine’s new Delphian CD Songs and Lullabies: new works for solo cello, courtesy of BBC Radio 3’s Record Review programme. Those in the UK can listen to the programme on iPlayer.
16 April 2016
My new work for solo cello, Six Maps of a Fragile Landscape, will receive it’s first performance at this weekend’s Loch Shiel Spring Festival. Supported by the Hope Scott Trust, the piece uses the metaphor of different map scales — large-scale and small-scale — to explore an imaginary landscape. This first performance will be given by Robert Irvine, alongside works by David Fennessy, Duncan Strachan, James MacMillan, Sally Beamish and more.
Robert Irvine will perform Six Maps of a Fragile Landscape at 1pm, Saturday 16th April 2016 at Acharacle Parish Church, Acharacle. Proceeds for this concert go towards UNICEF.
19 November 2015
Last weekend I took part in Enterprise Music Scotland’s Creative Exchange with Red Note Ensemble at Crear on the west coast of Scotland. I was joined by fellow composers Shiori Usui, Chris Hutchings and John De Simone, all of whom I’ve known for many years.
Crear is in a beautiful part of the country where the sky and light are constantly changing. The rehearsal room at Crear has floor-to-ceiling windows with stunning views of the Isle of Jura. Our stay coincided with the arrival of Hurricane Abigail which limited the amount of time we spent exploring the surrounding area but gave us a good excuse to sit in front of Crear’s open log fire. At night we were surprised by clear skies and an impressive view of the Milky Way.
I spent most of the weekend completing a short solo work for Red Note cellist Robert Irvine (more on that another time) who was joined by violinist Tony Moffat and violist Jessica Beeston.
On Sunday morning, having completed the cello piece, I wrote this little ditty: