26 October 2013
It’s the third and final day of Go Compose! where I am assisting composer Brian Irvine and Red Note Ensemble as they guide a group of school-age composers through writing and rehearsing brand new pieces. We’ve just enjoyed the final concert of the opening night of the Sound Festival, the grand finale of the course where each new work received its première.
It was a wonderful event. Banchory’s Woodend Barn hosted a large and enthusiastic audience for the occasion. Buoyed by a warm reception, each of the Go Compose! participants introduced their own pieces and explained how stories found in Monday’s newspapers provided the initial inspiration for their work. Some composers were keen to stress that, although these news articles provided the genesis of each work, the music had transformed into something entirely different, unrelated to current affairs. In all cases it was apparent that the composers had not become stifled by doggedly re-telling the news story in music – each had allowed their work to be structured by the requirements of the musical material they had created.
The concert not only marked the end of the course, but also the end of a long day. The composers had an early start and spent the first part of the morning adding finishing touches to their new scores. Learning from the previous day’s session, some took time to re-write tricky bars whilst others perfected phrasing, dynamics, colour and – the thing the young composers seemed to find hardest of all – the transitions between sections. They also had to make instrumental parts for the three performers in time for final rehearsals.
In all, each young composer created three new works during Go Compose! – two short pieces created under strict time limits imposed by Brian Irvine, and the final five-minute-long composition. This is an extraordinary amount of music for an inexperienced composer to write in such a short time and credit must be given to Brian for providing much of the energy and ‘can do’ attitude that energised the composers to achieve this. Likewise, the musicians from Red Note were approachable and positive at all times and offered the young composers some of the highest-quality feedback I’ve ever seen in a workshop situation.
The youngsters have quite obviously been empowered by this process: only on Monday queries and suggestions from the ensemble were met by the meekest of responses (“OK, whatever you think is best”). Now, only two days later, the young composers are far more bold and quick to point-out where balances need to be checked, tempos need adjusting and phrasing altered. This also indicates an assuredness about their compositional output – they knew what their piece should sound like and they now have the confidence to demand their work be realized as envisioned!
By Midday their work was complete. The evening’s performance concluded what was a creative and inspiring three days at Go Compose!.