24 November 2015
Here are some excerpts from my recent work with Lucy Boyes, a dance/music piece called Sandglass. Sandglass was commissioned by Sound Festival and DanceLive and had its first performance in October this year at The Lemon Tree, Aberdeen. The work is based upon a series of interviews and workshops conducted for this project in Summer 2015 in which people of Aberdeen discussed past, present and predicted cultural changes witnessed over their lifetimes in the North East of Scotland on land and at sea.
21 October 2015
On Friday afternoon (23rd October, 3:30pm, ACT Aberdeen) as part of In Cahoots, Jenny Stephenson will perform a short recital of works for solo clarinet: my piece My Life in Ventriloquism alongside a recent work by Neil Tòmas Smith. My Life in Ventriloquism was originally written for Jenny back in 2012 and it’s been great to revisit the piece with her for this performance.
Friday evening (8pm, The Lemon Tree) sees the première performance of my new collaborative project with choreographer Lucy Boyes, Sandglass. The piece is based around the recollections and imaginations of people from Aberdeen, captured in recorded interviews and workshops conducted especially for this project. We hear the voices of older and younger residents as they discuss the cultural change to the city seen through their lifetime, encompassing the remembered past and the imagined future. Lucy and myself will be discussing this work in a Soundconversation event after the Friday performance and then again with Nele Hertling at the In Cahoots Dance and Contemporary Music Workshop on Saturday afternoon.
On Saturday afternoon (24th October, 1pm, ACT Aberdeen) I’ll be conducting Ensemble Thing for the first performance of an interesting and original project called You Can’t Get There From Here. Arising from a residency at Cove Park, YCGTFH is a collaborative project between six Scottish composers – Francis Macdonald, Sonia Allori, Colin Broom, Drew Hammond, John De Simone and Oliver Searle – where each composer’s work was edited and re-written by all the other composers in sequence. The resulting scores are fascinating, surprisingly distinctive and perhaps proof that good art can be made by committee! The band’s been sounding great in rehearsals, too.
17 August 2015
I spent last week in residence at Citymoves Dance Agency in Aberdeen with choreographer Lucy Boyes and dance artist Mhairi Allan where we were developing our new work, Sandglass, for Sound Festival and DanceLive.
The piece takes as its starting point the recollections of older residents of Aberdeen, although at present the work is not warmly nostalgic. I’ve made several trips to the city over the last few months to meet some wonderful people and record interviews with them about how Aberdeen has changed over the years. Each of my interviewees spoke about how the arrival of the oil industry into Aberdeen drastically changed the city and the lives of those who live there. As explored in my recent work Elbow Room, I’m fascinated by the role cities have in shaping the lives of those who live in them and how the fabric of the city responds to broader changes and societal trends.
I enjoy collaborating with artists from different disciplines but this is my first time working with dance artists. We spent the week exploring how sound can be made though dance and how physical gesture and sonic gesture can relate to each other — an experimental approach for all concerned. There was a lot of listening, particularly to the recordings of those beautiful Aberdonian voices I have captured over the last few months.
Sandglass will be performed at 8pm on Friday 23rd October 2015 at The Lemon Tree, Aberdeen.